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刻字艺术是中华民族的优秀传统文化之一,它与书写在纸、绢上的书法作品不同,是用刻刀在不同材料上进行刻写。由于受传统观念“书者为‘家’,刻者为‘匠’,写者为‘高’,刻着为‘下’”的束缚与偏见,刻字者长期不被重视。本文通过对帅立志先生在竹简刻字艺术创作的长期实践活动历程进行研究与探析,总结得出,在艺术实践当中,充分利用本土自然资源并融中国传统艺术文化于个人艺术创作思想当中是开创新艺术的成功尝试,是人与社会、人与自然三者的和谐统一,同时也体现了帅立志先生竹简刻字艺术创作的实践价值。
The art of lettering is one of the outstanding traditional Chinese culture. It differs from the calligraphic works written on paper and silk and is inscribed on different materials with a knife. Due to the traditional concept of “the book is home,” the engraver is a “carpenter,” the writer is a “high” and the engraver is a “lower” bound and prejudice, the engraver has not been valued for a long time. Through the research and analysis of Mr. Shuai Lizhi’s long-term practical activities in the art of bamboo inscriptions, this paper concludes that in the practice of art, making full use of indigenous natural resources and integrating Chinese traditional art culture into the thinking of individual art creation is a new approach The successful attempt of art is the harmonious unity of man and society, man and nature, and also reflects the practical value of Mr. Shuai Lizhi’s bamboo lettering art creation.