他总是带着那把跟随了他几十年之久的小提琴——那把从不带琴弓只是用来弹拨的小提琴,在我接触过的不少作曲家中,他的这种习惯几乎是独一无二的。也许是由于从少年时代就参军入伍,在战火纷飞的戎马生涯中不可能坐下来抚弄琴键的缘故,便形成了这种唯我独有的创作特性、就是在琴弦与手指的撞击中,涌流出了一串又一串令人心神激扬的动听旋律。 He always took the violin that had followed him for decades - the violin, which was never used for the plucking of bows, and among the many composers I had come across, his habit was almost Unique. Perhaps it was because of the fact that it was impossible for us to sit down and fiddle with the keys during the war-ravaged military career from the youth to the enlistment of the army. This unique and unique creative feature was formed by the collision of strings and fingers, Chung out of a bunch of exciting series of exciting melodies.