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随着纪录片拍摄的不断发展,“情景再现”的手法已经在我国纪录片创作中广泛应用起来,以别具一格、生动形象的特色手法弥补了拍摄现场不足造成的情节“断点”或弥补了其情节单一、资料不足等缺点,活跃了原本单调、沉闷的记录空间,丰富了纪录片内容的同时还使观看者眼前一亮,对纪录片的发展起到了至关重要的作用。但纪录片的本质是展现真实,而“情景再现”手法的滥用很容易引起纪录片的失真,也就是说“情景再现”的失真与纪录片的“非虚构”产生了矛盾。通过探讨纪录片“情景再现”之真与失真,进而提出正确应用“情景再现”的方法,使其在纪录片中发挥得更加完善。
With the continuous development of documentary filming, the technique of “scene reproduction” has been widely used in the documentary creation of our country. It makes up for the plot “breakpoint” caused by insufficient shooting scene or makes up with the unique and vivid features The single plot, lack of information and other shortcomings, the active monotonous, boring record space, enriching the documentary content but also to the eyes of the viewer, the development of the documentary has played a crucial role. However, the essence of the documentary is to show the truth, and the abuse of “scenario reproduction” can easily lead to the distortion of the documentary. That is to say, the distortion of “scene reproduction” contradicts the “fictional” of the documentary. By discussing the truth and distortion of the documentary “Scene Reproduction ”, we put forward the method of applying “Scene Reproduction ” correctly and make it play more perfect in the documentary.