戏曲表演遵循的是“戏无情不动人、戏无理不服人、戏无技不惊人”,其中“技艺”乃戏曲演员必须具备的“玩意儿”。戏曲舞台上的“技”在传统上往往有广义和狭义之分。广义的“技”一般是泛指“唱、念、做、打”和“手、眼、身、法、步”,即常说的“四功五法”等表演技法;狭义的“技”则是专指表演手段的单元,表演时所运用的技能技巧,即俗话说的 The performance of the opera follows “the play is ruthless, the play is unreasonable, the opera is skillless and not surprising”, of which “skill” is the “stuff” that opera actors must have. The “technique” in the drama stage has traditionally been divided broadly and narrowly. The broad sense of “technique” generally refers to performance techniques such as “four functions and five methods” which are commonly referred to as “singing, reading, doing, playing” and "hand, eyes, body, It refers specifically to the means of performance means the skills used in performing skills, as the saying goes