以领袖为题材的人物画,在中国难以数计,可是在美术史上存留下来的就屈指可数了。李琦先生的《主席走遍全国》便是这少数佳作中较为突出的一幅。通过李琦先生的谈话,我们也许能感悟到,一幅好的作品,不仅需要功力的磨练,更需要感情的投入。 四川师范大学视觉艺术学院的作品,体现出这个新建院校的崭新气象。从他们的教学理念中,我们也可以了解到他们那种与时俱进的创新精神。 临摹在前人那里是个不是问题的问题,可到了现在却成了“老大难”。通过龙瑞和郎绍君两位先生关于临摹问题的对话,或许能使我们对中国画传统和教学有一个深刻的反省,而这正是我们刊发这一对话的用意所在。 Portraits with leaders as their theme are difficult to count in China, but there are only a few handicrafts in art history. Mr. Li Qi’s “Chairman traveled all over the country” is one of the few outstanding works. Through the talk of Mr. Li Qi, we may be able to realize that a good piece of work requires not only the skill training but also the emotional input. Sichuan Normal University School of Visual Arts’s work reflects the new atmosphere of this new institution. From their teaching philosophy, we can also understand their innovative spirit of keeping pace with the times. Copying is not a problem for our predecessors, but now it has become a “dilemma.” Through the dialogue between Mr. Long Rui and Mr. Lang Shao-jun on the issue of copying, perhaps we can have a profound reflection on the tradition of Chinese painting and teaching, and this is precisely the purpose of our publication of this dialogue.