中国仕女画历史悠久。从战国到隋唐、五代再至两宋,仕女画从幼稚走向成熟。元后,文人画兴起,包括仕女画在内的工笔画其势渐危。随着中国历史进入新时期,中国画坛也出现了新的面貌。20世纪80年代以后,现代女性题材绘画复兴,并以其开放的包容性向其他艺术门类借鉴吸收,以充实自身。白野夫的水墨仕女画,正是产生在这样的历史和时代背景下。他的境界,源于盛唐而呈现当下时尚气韵;他的技法,继承传统法度,又兼收并蓄并臻于化境;他的审美思 Chinese beauty painting has a long history. From the Warring States to the Sui and Tang dynasties, the Five Dynasties and then to the Song dynasties, ladies’ paintings went from infancy to maturity. After the Yuan Dynasty, the rise of literati painting, including the brushwork painting, the gradual crisis. As Chinese history entered a new era, a new face appeared in Chinese painting. Since the 1980s, modern women’s themes have revived their paintings, drawing inspiration from other art genres for their openness and inclusiveness so as to enrich themselves. Bai Yefu ink paintings, it is produced in this context of history and the times. His realm originates from the prosperous Tang Dynasty and presents the contemporary fashion charm; his technique inherits the traditional method and is eclectic and transcendent;