金基德从来就不是一个可以简单定义的人,尽管很多影评家喜欢称他“情色导演”,其实他只是把一种人类享受及千年传承的文化活动用镜头表现出来。他是一个再诚实、本色不过的人,具有浓烈的动物性,靠近他的时候你可以闻到腥气,是《飘流欲室》里的水腥气,是《春去春又回》里诱使小和尚产生原始欲望的两条交媾的蛇留下的体液腥香。在《春去春又回》里,金基德试图用佛学来诠释人生。人生是轮回的四季,是原罪与救赎的交接。电影依旧传承了金基德对人类欲望的的露骨 Kim Kidd has never been a simple definition, although many critics like to call him “erotic director”, in fact, he just a cultural enjoyment of human enjoyment and millennial heritage with the lens shown. He is a re-honest, but the nature of people, with strong animal, near him when you can smell the fishy, ​​is “drifting for the room” in the water of fishy water is “spring and spring back” to lure small Monk produced the original desire of the two cross-snake bodily fluid leaving the body. In “spring and spring back”, Kim Ki-te tried to use Buddhism to interpret life. Life is the four seasons of reincarnation, the transfer of original sin and redemption. The film still inherits the explicit nature of Kim Kidd's desire for humanity