本文试图从文学现象学的角度切入,采用文学作品的异质层次理论来分析仓央嘉措诗歌与唐代格律诗之间联系和影响。从声音层面来讲,二者都有押韵,从而形成了独特的审美价值。从押韵的方式来看,仓氏的诗歌主要是押腰韵,而唐代律诗主要是脚韵。由此而来,从诗歌意境上来看,仓氏的诗歌主要注重其内蕴层,旨归其宗教内涵,而唐代律诗更多是旨归意蕴层,描述的是社会世俗生活。 This article tries to analyze from the perspective of literature phenomenology and adopts the heterogeneous level theory of literary works to analyze the connection and influence between Tang Dynasty Jiaruang poetry and Tang poetry. From the sound level, both have rhyme, thus forming a unique aesthetic value. From the perspective of rhyme, Cang’s poetry is mainly rhymed rhyme, while the Tang Dynasty rhyme is mainly footnotes. From this point of view, from the perspective of poetic conception, Cangshi’s poetry mainly focuses on its inner layer and aims to its religious connotation, while the Tang Dynasty’s lawful verse is more intended to imply meaning layer, which describes the social secular life.