美国现代非洲族裔作家吉恩·图默的《甘蔗》(1923)中有三组独立且不同寻常的符号,分别出现在该书的三个部分之前,并且这三组符号拼在一起可以形成一个完整的圆圈。这些断裂的符号可以有多种解读,但笔者通过仔细研读原文及有关评论,认为它们展现了在黑白两个种族对立之下一个断裂的世界,它源自一系列断裂的法律禁令,并导致作者断裂的身份认同,但同时它也传达了图默对黑人与白人是否能够摈弃彼此间的种族仇恨和种族对立,认可跨越种族的爱情与婚姻,融合彼此的血脉,形成一种和谐圆满的族裔关系的思考。 There are three separate and unusual symbols in Sugar Cane (1923) by American contemporary African ethnoculturalist Gene Tummer, respectively appearing before the three parts of the book, and the three groups of symbols are put together to form one Complete circle. There are many interpretations of the signs of these faults, but by carefully reading the original and the related comments, the authors argue that they present a fractured world that is antagonistic to both black and white races and that it stems from a series of legal bans on breaking that lead to the author But at the same time, it also convenes whether Tute’s rejection of racist and racial rivalhood among blacks and whites, recognition of love and marriage across races, fusion of each other’s bloodlines and the formation of a harmonious and successful ethnic group Relationship thinking.