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贾樟柯的电影打破了传统电影故事片和纪录片之间的界限,将纪实和虚构交叉并用,实现了对社会的独特观照,形成了自己的电影风格。我们通过他的十余部电影,可以看见中国近20年来社会发展的真实图景。贾樟柯电影关注的几乎都是处于社会边缘的人群或弱势群体,然而小人物也有大世界,看似波澜不惊的生活,底下却同样暗流涌动。而贾樟柯则将镜头对准底层,用直接纪录的方式呈现给观众一个并不平凡的世界。
Jia Zhangke’s film breaks the line between traditional film feature films and documentary films, crosses records with fiction, and achieves a unique perspective on society and forms his own movie style. Through his ten films, we can see the true picture of China’s social development in the past 20 years. Jia Zhangke film almost all concerned about the marginalized in the community or the disadvantaged groups, but the small people also have the big world, seemingly placid life, but also the same undercurrents. And Jia Zhangke will be the camera at the bottom, with a direct record presented to the audience an extraordinary world.