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由笔者主持、甫开放的“台湾现代戏剧暨表演影音数据库”(ElectronicTheaterIntermixinTaiwan,以下简称ETI-TW),以1986以降相关演出的非营利性正式影音记录为搜藏对象,主要进行影音数据库建立以及数字典藏两种工作(图一,二)。以1986年为搜藏起点,是出于各种主客观因素。台湾现代戏剧创作在1986年左右才开始使用影音设备自我纪录演出情形,相关的影音纪录资料因此从这年开始才变得较为普及可得。几乎从同一时间起,台湾现代戏剧也开始历经各种重大转变,包括演出对象正从小众发展为
The author, under the auspices of the Taiwan Museum of Modern Drama and Performance (ElectronicTheaterIntermixinTaiwan, hereinafter referred to as “ETI-TW”), is a non-profit formal audiovisual record held in 1986, As well as the digital collection of two kinds of work (Figure I, II). To 1986 as a starting point for the search, is out of a variety of subjective and objective factors. Taiwan’s modern drama began to use self-documenting performance of audiovisual equipment until about 1986, and as a result, the related audio and video recording information has become more and more available since the beginning of this year. Almost at the same time, Taiwan’s modern drama has also undergone various major changes, including the object of performance being developed from a minority to