一、绘画史上的盛唐院体画与文人画,往往被人混称为北宗与南宗,从明末莫是龙董其昌辈,特别提出了这二者的对立关系后,迄于今日,凡秉笔述画史之士,犹依从其说,不敢稍加修正。他们拥出二尊人物来当做创时期的宗匠,即以李思训为北宗之祖,王维为南宗之祖;并且把唐以来一直迄于明代的绘画,都纳入于这二个系统之中。这的确是中国绘画史上饶有兴味的问题。李思训和王 First, the history of the Tang painting Tang painting and literati paintings, often confused as North and South Zong, from the end of the Ming Dynasty is the dragon Dong Qichang, especially put forward the antagonistic relationship between the two, as of today, Where by Bingzhi Shi Shi Zhi Shi, still according to it, not a little amendment. They possessed two figures as the founding fathers, that is, Li Sixun was the ancestor of the Northern Zong, and Wang Wei was the ancestor of the Southern Zong. They also included the paintings of the Ming Dynasty until the Tang Dynasty into the two systems. This is indeed a very interesting issue in the history of Chinese painting. Li Si and the king