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安部公房是日本战后前卫文学运动的旗手。他的作品充满奇异的想象和新颖的表达方式,因此历来评论家都将目光集中在其作品的前卫性上,忽略了作品背后作家对于现实的犀利洞察和认识。本文从安部公房与战后前卫艺术运动的渊源入手,分别对安部公房创作的不同时期进行分析,梳理他对前卫艺术理论进行辩证分析和扬弃的过程以及不同阶段的特征,以此揭示以安部公房为代表的日本战后作家在对西方前卫艺术进行吸收的同时,根植现实、着力于创新和超越的本质。
Ministry of public housing is Japan’s post-war avant-garde literary movement standard-bearer. His works are full of strange imagination and novel expressions, so historians have always been paying attention to the avant-gardeness of his works, ignoring sharp insight and understanding of reality by the writers behind the works. This article starts from the origins of the public security department of Anbu and the avant-garde art movement after the war, analyzes the different periods of the public housing creation of the Ministry of Public Security, combs his dialectical analysis and abandonment process of the avant-garde art theory and the features of different stages, As the representative Japanese post-war writer, while absorbing the avant-garde art of the West, he rooted reality and focused on the essence of innovation and transcendence.