初读刘震云先生的长篇小说《故乡相处流传》时,的的确确是被其文章中突显的狂欢式的戏谑和讽刺惊艳到了,这种寓言式的写作太过夸张,甚至有人说,此种写作风格应该是莫言所有的。当然,也有部分学者认为刘震云把历史人物穿插进大时代背景的叙事方式无非是一种企图消解真实、蒙蔽审核的画虎不成的写作策略。而当把《故乡相处流传》细细品读开来,于我而言,则不外乎用“满纸荒唐言,一把辛酸泪”来评价了。《故乡相处流传》叙事主题线路很清晰,即描写了一群不 The first reading of Mr. Liu Zhenyun’s novel, “Hometown Spread,” was indeed stunned by the carnival banter and sarcasm highlighted in his essay. Such allegorical writing is too exaggerated. Some even said that such writing Style should Mo Yan all. Of course, some scholars think that Liu Zhenyun’s narrative way of inserting historical figures into the background of the grand time is nothing more than a writing strategy that can not be solved in reality and blind to the examination. And when reading the “hometown spread” slender, in my case, is nothing more than “full of ridiculous words, a bitter tears” to evaluate. “Hometown get along” narrative theme line is very clear, that describes a group of no