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当“中国漆艺平面绘画”作为一种非常另类的纯观赏艺术品,于上世纪30年代首次出现在人们的视野中时,就没几个人承认它属于画种,而公认它是一种“手工装饰物品”。鉴于初创时期的环境、条件、氛围的粗糙与艰难,现代中国漆画的开创者们既没有机会,也没有能力使这一古老造物技术派生出崭新的艺术形式。但是,它最早的奠基人——沈福文、李芝卿、雷圭元和他们的追随者们,在战争状态下,
When the “Chinese lacquer graphic painting”, as a very different type of pure ornamental artwork, first appeared in people’s perspective in the 1930s, few people recognized it as a painting and accepted it as a kind of “ Hand-decorated items. ” In view of the rough environment and the difficult atmosphere in the initial stage, the pioneers of modern Chinese lacquer painting have neither the opportunity nor the ability to derive a brand new art form from this ancient creational technique. However, its earliest founders, Shen Fuwen, Li Zhiqing, Lei Guiyuan and their followers, under the state of war,