事实上,人类生命的大部分时间是被耗散在生活日常中的;温饱之后,日常的举止却成了打量其社群传统与文明的重要依据。古代绘画所表现出的优雅日常,会给人一种挥之不去的魅惑,又往往指向人间亘古不变的情思。在一些画作中,曾经的蹉跎,缠绵着生命不朽的琐碎。旧时的月色虽显露少许的苍老,却因曾经的不再,而令人徒生愁绪,让人纠结……是因为美好。旧时的美好虽说是图画中的永驻,却也标程着千秋万代的理想,刻画着生活细节中的纯情境地。优雅的日常仿佛就是理想之极致的景象,是平和富裕、斯文理性的映证。历经一切原始与蛮荒、粗暴与血腥、黑暗与混沌之后,萃取而得到的,是人性 In fact, most of human life is dissipated in the daily life. After the food and clothing are supplied, the daily behavior has become an important basis for weighing the traditions and civilizations of the community. The elegant daily life shown by ancient paintings will give people a kind of lingering charm, often pointing to the everlasting human feelings. In some of the paintings, the once shyness lingering upon the trifles of life. Although the old moonlight revealed a little old, but because of the no longer, it makes people feel melancholy, people tangled ... because of good. Although the old beauty is the permanent image in the picture, but also marked the ideal of future generations, depicting the life details of the pure situation. Elegant daily seems to be the ultimate ideal of the scene, is a gentle and affluent, Sven rational mapping. After all primitive and wild, crude and bloody, dark and chaotic, the extraction is derived from human nature