杜丽娘与朱丽叶分别是《牡丹亭》与《罗密欧与朱丽叶》两部剧中的女主角,她们虽分属于两个不同地域,但在主体意识的自我认识上却有着某种程度的相似性。但由于孕育两部经典之著的文化背景的差异,又让两人同中有异,如果将杜丽娘比作破茧之蛾的话,那么朱丽叶更像一只扑火之蛾。本文主要从主体意识的缺失与苏醒两方面进行比较,从而挖掘隐匿于其后的深层文化心理根源。 Du Li Niang and Juliet respectively act as the heroine in two plays, “The Peony Pavilion” and “Romeo and Juliet”. Though they belong to two different regions, they have a certain degree of similarity in the self-awareness of subject consciousness. However, because of the difference between the cultural backgrounds that gave birth to the two classics, they are different from each other. If you compare Du Li-niang to the cocoon moth, then Juliet is more like a moth of fire. This article mainly compares the absence and awakening of subjective consciousness to find out the deep psychological root of hidden culture.