《哭佩弦》,写于1948年8月,是郑振铎追忆朱自清的感伤之作。说不清楚多少次阅读这篇文章,只是知道,每每阅读,都会有新的感受,新的发现。青年时代读《哭佩弦》,对书法也持怀疑态度,当然对郑振铎微言书法深有同感。一句话,书法的艺术品质,我怀疑了多年。人到中年,书法在我少许沧桑的内心活泛起来,看问题似乎也客观了一些,不仅喜爱临帖,同时也愿意思考关于书法形而上的问题。这时, “Crying string,” written in August 1948, is Zheng Zhenduo remembrance Zhu Ziqing sentimental. I do not know how many times to read this article, just know, often read, there will be new feelings, new discoveries. Young people read “crying string”, is also skeptical of calligraphy, of course, Zheng Zhenduo micro-calligraphy feel very much the same. In a word, the artistic quality of calligraphy, I doubt for many years. Middle-aged people, calligraphy in my heart a little vicissitudes live up to see the problem seems to be a number of objective, not only love temporary report, but also willing to think about the metaphysical problems of calligraphy. At this moment,