中国戏曲是一门综合性的艺术,元代即有关于表演与演员的研究,如胡祗遹的“九美说”、燕南芝庵的《唱论》、夏庭芝的《青楼集》。明清两朝,随着戏曲的发展繁荣,出现了一批系统、全面的戏曲理论著作,如王骥德的《曲律》、李渔的《闲情偶寄》等,而魏良辅的《南词引正》、潘之恒的表演理论及《审音鉴古录》、《梨园原》等,则是古代戏曲表演研究重要的理论总结。20世 Chinese opera is a comprehensive art. In the Yuan Dynasty, there were researches on performances and actors, such as “Nine Beautiful Sayings” by Hu Zhizhi, “Singing Theory” by Yan Zhizhi, and “Youth House Collection” by Xia Tingzhi. During the Ming and Qing dynasties, with the development and prosperity of traditional opera, a series of systematic and comprehensive theoretical works of opera emerged. For example, Wang Jide’s “Melody” and Li Yu’s “ ”, Pan Zhiheng’s performance theory and“ audition Kam Kao Lu ”,“ Liyuan Yuan ”, etc., is an important theoretical summary of ancient Chinese drama performance research. 20th Century