论文部分内容阅读
壮族民歌经劳动人民集体创作,是壮族人民表达思想感情、寄予美好愿望的一种特定形式,而对于壮族民歌教育与流传过程中愈演愈烈的“汉化”现象,针对其传承方式的研究变得刻不容缓。本文以广西少数民族歌手班为例,重点论述其在传承工作上创新性的发展,以期能借鉴歌手班创办的成功经验,探求如何建构与现代社会相适应的民族民间音乐发展平台,以此进一步带动本地区民族音乐文化研究的相关工作。
The Zhuang people’s folk songs are collectively created by the working people and are a specific form that the Zhuang people express their thoughts and feelings and place their good wishes. As for the phenomenon of “Hanization” intensified in the education and circulation of the Zhuang folk songs, No delay. Taking the singer-class in Guangxi as an example, this paper focuses on its creative development in heritage work, in the hope of learning from the successful experience of singer-class construction and exploring how to build a national folk music development platform that is compatible with modern society. Bring about the related work of researching national music culture in this area.