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音乐的生成与发展,与一个民族的总体社会发展密不可分。所以,形态不一,特色各异的音乐,是不同的民族社会历史发展阶段的社会形态、哲学观念的客观反映。本文拟就贵州苗族民间传统芦笙音乐形态的两个特征,析其生成的观念与背景。一、曲无声的“大音”内涵通常认为:曲无声,当不成为音乐。但作为我国
The formation and development of music are inseparable from the overall social development of a nation. Therefore, different forms and different characteristics of music are the objective reflection of social forms and philosophical concepts in different stages of the development of national society. This article intends to analyze the two characteristics of Lusheng music in the folk tradition of Miao in Guizhou and analyze its concept and background. First, the silent “big tone” Connotation is generally believed that: the song silent, when not become music. But as China