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明诗“盛于国初”是中国文学史上的“共识”。这一认识的形成,某种程度上来说是明清两代以来诗论家和文学史研究共同建构的结果。将高启、刘基等人置于元末明初诗歌演进的历史语境中予以考察,可以发现,作为易代之际的诗人,用以标示他们在明代诗史地位的创作和风格,主要见于元末作品当中。明清以来形成的明诗“盛于国初”看法,与元明之际诗歌创作的历史图景和诗歌演变的历史进程并不完全相符。本文通过对明诗“盛于国初”看法加以厘析,力求更准确地理解和把握元末明初文学演进的动态和过程,进而在易代之际文人时代归属、中国文学史阶段划分等问题上引起研究者的思考。
Ming Poetry “Sheng Yu early” is the “consensus” in the history of Chinese literature. The formation of this understanding is, to a certain extent, the result of the joint construction of the poetic theorist and the study of the history of literature since the Ming and Qing dynasties. When Gao Qi and Liu Ji were placed in the historical context of the evolution of poetry in the late Yuan and early Ming Dynasties, it can be found that as a poet on the occasion of intergenerational exchange, their creation and style to mark their status in the history of poetry and history of the Ming Dynasty are mainly found in Among the late Yuan works. The Ming poems formed since the Ming and Qing Dynasties were not fully consistent with the historical picture of poetry creation and the historical evolution of poetry during the Yuan and Ming Dynasties. Through the analysis of the poem “Sheng Yu Guotu”, this article attempts to understand and grasp the dynamic and process of the literary evolution in the late Yuan Dynasty and the Ming Dynasty more accurately, and then in the period of Yi Dynasty, the era of literati belongs to the stage of Chinese literary history Division and other issues caused by researchers think.