有时偶尔看展览,觉得展厅里琳琅满目,有的作品对传统经典书法和当代流行的书法从形式到笔法、章法的效法都达到了一定的水准,更有甚者甚至干脆在木片、竹片上模仿汉简、楚简的写法。很多作品在装裱、着色、用材、形式上也很有匠心,增加了展厅里的趣味和形式,产生了比较好的展厅效应。然而细看作品,虽然形式多样、面目纷呈,但觉得真正能打动人的作品不多。书法展览的评选及竞争机制和书法的商业化,造成了书法创作的空前“繁荣”和书法作品的形式多样。但毋庸讳言,这种通过 Occasionally occasionally see the exhibition, I think the gallery dazzling, and some works on the traditional calligraphy and contemporary popular calligraphy from the form to the writing method, the law of the law has reached a certain level of effectiveness, what is even worse in the wood, bamboo imitation of the Han Jane, Chu bamboo slips. Many works in the mounting, coloring, timber, the form is also very ingenuity, increase the fun and form of the exhibition hall, resulting in a better exhibition hall effect. However, if you look closely at your work, you may find that there are not many works that really touch people, though they are diverse and varied in appearance. The selection of calligraphy exhibitions and the competition mechanism and the commercialization of calligraphy led to the unprecedented variety of “calligraphy” and “calligraphy”. Needless to say, this passage