当一位钢琴演奏者正在全神贯注地演奏钢琴时,他很少会考虑到在他用手指按键与发出音响之间,会产生什么样的一系列力学过程。但是他凭借他多年的丰富经验,知道如何用高深的弹键技巧,才能在钢琴上演奏出抑扬顿挫的声调来。按琴重一些,就会发出较强的音响,这是尽人皆知的道理,但也是一个基本前提。钢琴之所以比电子风琴更能动人心弦,就是因为电子风琴的音响大小,基本上只与预先的调节状况有关,很少再取决于每次按键时用 When a pianist is concentrating on playing the piano, he seldom thinks about a series of mechanics that occur between his finger-press and the sounding. But with his many years of experience, he knew how to use advanced bullshit techniques to play a cadence on the piano. According to the piano heavier, it will make a stronger sound, which is well-known truth, but it is also a basic premise. The reason why the piano is more exciting than the electronic organ is that the sound volume of the electronic organ is basically only related to the pre-adjustment condition, and rarely depends on the time of each key-press