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中国绘画由写实性转向写意性(文人画)并不是偶然,而是经历了一定程度的积淀,而在这个转变过程中同样有着过渡人物的绘画存在,对于北宋画家画向文人画的过渡中,郭熙是一个典型的代表。其绘画风格既表现出了对传统绘画的尊重,又表现出了一定的文人画色彩。可以说郭熙的绘画是对前人成就的总结,同时也是作为后来绘画思潮的前奏而存在。
It is no coincidence that Chinese painting turned from the realistic to the freehand (scholarly painting), but it has experienced a certain degree of accumulation. In the process of this transformation, there is also the existence of transitional figure paintings. For the transition from the Northern Song Dynasty painter to the literati painting, Guo Xi is a typical representative. His painting style not only shows the respect of traditional painting, but also shows the certain color of literati painting. It can be said that Guo Xi’s painting is a summary of the achievements of the predecessors, but also as a prelude to later painting trends.