一质文代变,汉语新诗抒写现代性的历程亦遵循某种辩证法。我们只要仔细回想新诗不长的历史,就会发现这种诗歌史辩证法演进的大致轨迹:自诞生之日起,汉语新诗就沉浸到言说和想象历史的快意之中。在相当长的时间里,这种快意,先后以启蒙、民族、救亡、政治等历史主题作为其崇高性源泉,并为汉语新诗拓出了巨大的驰骋空间,新诗也由此建构起自身的历史形象和语言形象。与此对照的另一极则是,自20世纪80年代开始,汉语新诗开始全面自觉地转向对语 In the context of a textual change, modern Chinese new poetry also follows some dialectic. As long as we carefully review the history of the new poem, we will find the general trajectory of the evolution of dialectical history of the poetic history: Since its birth, new Chinese poetry has been immersed in the pleasure of speaking and imagining history. For a long time, this kind of pleasure has successively taken the historic themes of enlightenment, nationality, salvation, and politics as its source of supremacy and expanded a huge space for new Chinese poetry, and thus the new poetry constructed its own history Image and language image. Another contrast with this is that, since the 1980s, new Chinese poetry has begun to turn to the language in a comprehensive and conscious manner