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王朝闻是中国当代美学中最具研究价值的美学家之一,他的微观与宏观相结合、注重经验分析与理论概括相结合的方法,使他的艺术美学成为“自下而上”和“自上而下”结合的典范。王朝闻以艺术与生活的关系为逻辑起点,对艺术美的创造进行了具有民族特色的探究。他在艺术美学范畴的总结上实现了东西方的结合,在它们关系辨析基础上探究了艺术创造的美的规律。本文以审美关系、艺术的假定性、艺术批评、理论形态等几个方面考察王朝闻对中国特色艺术美学的建构,以显示新中国建国后我国艺术学建设所取得的成就。
Wang Chaowen is one of the most valuable aesthetic scholars in contemporary Chinese aesthetics. His combination of micro and macro, focusing on a combination of empirical analysis and theoretical summarization, makes his artistic aesthetics a “bottom-up” And “top-down ” model. The dynasty news regards the relationship between art and life as the logical starting point and explores the creation of artistic beauty with national characteristics. He realized the combination of East and West in the category of artistic aesthetics, and explored the law of beauty in art creation on the basis of their relationship analysis. This article examines the construction of Wang Zhaowen’s aesthetics of art with Chinese characteristics in several aspects such as aesthetic relations, artistic hypotheses, artistic criticism and theoretical forms, in order to show the achievements made by China’s art construction since the founding of new China.