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当前话剧正在走向没落边缘,原因之一是话剧文学教育的失误,其症候表现为文学史对话剧文学的书写方式不当。《茶馆》自诞生以来在中国当代文学史不断更迭的形象是话剧文学入文学史的一个标本。其大致经历了政治性的忽略、文学性的高标与戏剧性的苏醒三个阶段。这揭示了话剧文学进入文学史需要在戏剧性的视角下观照其文学性,这有待文学史家克服书斋研究与剧场演出的鸿沟,在中文系与戏剧系彼此的学术传统之间搭建起共享的平台。
The current drama is going to decline edge, one of the reasons is the drama literature education mistakes, the symptom of the performance of literary history dialogue drama literature improper way of writing. Since the birth of “Teahouse”, the image of the ever-changing contemporary literary history in China has been a specimen of literary literature into literary history. It generally experienced three stages of political ignorance, high literary standard and dramatic revival. This reveals that literary literature needs to look at its literary nature from a dramatic perspective, awaiting literary historians to overcome the gap between literary studies and theater performances, and to establish a shared platform between the academic traditions of the Chinese and Drama departments.