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京剧作为百年历史的国粹艺术是中华民族艺术宝库中的伟大财富,是中国人智慧的结晶,它有自身的独特魅力。京剧小生行当是京剧艺术中一个独具审美特色的行当,有着举足轻重的重要地位。小生行当在长期发展过程中形成了一批经典剧目,在表演和唱念中都有着独具特色的艺术魅力。本论文重点通过研究京剧小生姜派名剧《玉门关》和叶派名剧《周仁献嫂》的核心唱段,来阐述两个派别在运用小生最具代表性唱腔板式,以及用不同的演唱技巧处理声腔,来表达人物内心的心理变化。同时对两个派别的声腔特色进行深入研究,探索流派规律,希望对姜派艺术和叶派艺术的声腔发展起到推动作用。
As the quintessential treasure in the treasure house of the Chinese nation, Peking Opera is a crystallization of Chinese wisdom. It has its unique charm. Peking Opera is a unique line of art in the opera industry, has an important and pivotal position. Niche when in the long-term development process formed a number of classic repertoire, both in performances and singing have a unique artistic charm. This dissertation focuses on the core singing stage of Peking opera “Yumen Pass” and the famous opera “Zhou Yan Xian Sao” to explain the two factions in the use of niche singing the most representative board, and with different singing skills to deal with the sound cavity , To express the psychological changes in people’s hearts. At the same time, it deeply studies the vocal characteristics of the two factions and explores the regularity of the genre, hoping to promote the vocal development of the ginger school and the leaf school.