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中国绘画有着悠久的历史,深厚的文化底蕴,早在春秋战国和秦汉时期其美学理论便初见端倪,在诸子百家的言论中都有所体现。由于时代的不同,人们所处的地域、文化、历史、政治等诸多方面都影响着人们对中国画美的界定。中国绘画美先后接受了儒家思想,摄取了有关的佛理,并且佛,道,儒三家兼收并蓄;许多的文人画家既有儒道的思想同时也接受了禅理。中国绘画注重内在美是有着其悠久的历史的,并不是一派一说能够体现的,它广泛的渗透在各个绘画的理论当中。
Chinese painting has a long history and profound cultural heritage. As early as the Spring and Autumn Period and the Qin and Han Dynasties, its aesthetic theory began to show its clues. Due to the different times, people live in many aspects such as geography, culture, history and politics, which influence people’s definition of Chinese painting beauty. Chinese painting beauty has accepted the Confucianism, absorbed the relevant Buddhism, and Buddhism, Taoism and Confucianism three eclectic; many literati artists both Confucianism and Taoism also accepted the Zen. Chinese painting has its long history of paying attention to inner beauty. It is not something that can be embodied in one school and one painting. It permeates the theory of painting extensively.