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“同一美学”与“对立美学”是苏联杰出美学家洛特曼在其代表作《艺术文本的结构》中对艺术文本作出的两大美学范畴的划分:前者的结构原则表现出简单化和一般化的特征;后者则体现为多种异质要素以斗争共存的方式贯穿于文本始终。本文将试图从叙述视角、人物性格、情节设置、艺术风格等四个方面阐述《红楼梦》与“对立美学”理论的契合之处,并在此基础上探讨小说复杂丰富的意蕴和独特的审美价值。
“Same Aesthetics ” and “Antagonism Aesthetics ” is the division of the two major categories of aesthetics made by the prominent aesthetics of the Soviet Union Lotman in his representative work “The Structure of Art Text”: the former’s structural principle shows simplicity And the generalization of the latter. The latter is manifested in the fact that many kinds of heterogeneous elements exist in the way of struggle coexistence. This article will try to explain the connotation of “A Dream of Red Mansions” and the theory of “opposite aesthetics” from narrative perspectives, personalities, plots and artistic styles, and on this basis, to explore the complex rich connotation and unique Aesthetic Value.