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戏剧文体学的研究大多基于对话;同时,对话也是戏剧的主要内容以及文体学特点。戏剧文体学有许多研究分支。本文将运用“话轮转换”和“合作原则”两种方法分析《七把吉他》中奥古斯特·威尔逊的黑人女性观。因此,文中将讨论露易丝和赫德利以及薇拉和佛洛伊德间的语篇,从而我们可以发现黑人女性身上所呈现出来的优点:乐于接受现代观点和新鲜事物;同时富有责任感和爱心。由此,我们得出威尔逊正是赞扬黑人女性身上所体现的品质,并且宣扬黑人女性意识的觉醒,为自己争取更多话语权。
Most of the studies of dramatic stylistics are based on dialogue; at the same time, dialogue is also the main content of the drama and the stylistic features. Drama stylistics has many research branches. This article will analyze Auguste Wilson ’s concept of black women in the “Seven Guitars” by using the “Turn and Turn” and “Cooperative Principle” methods. Therefore, the text will discuss the discourse between Louise and Hurdley and Vera and Freud, so that we can discover the advantages presented by black women: they are willing to accept modern viewpoints and new things; at the same time, they have a sense of responsibility Love. From this, we come to the conclusion that Wilson praised the qualities of black women and advocated the awakening of black women’s consciousness and strived for more discourse for themselves.