论文部分内容阅读
壮士一去不复返——徐悲鸿《田横五百士》一提起徐悲鸿,你的脑海里肯定会浮现出他许多的作品。像生动传神的《八骏图》,精彩纷呈的《愚公移山》、震撼人心的《篌我后》、写意洒脱的《风雨鸡鸣》……这些作品都寄寓了画家对祖国强盛、民族振兴的愿望,而纯粹以西洋画法表现中国历史题材的《田横五百士》更是让人叹为观止。《田横五百士》取材于司马迁的《史记.田丹列传》。说的是战国时代,齐国的旧王族田横在农民起义中率500人入居海岛。西汉统一后,刘邦派人招降,但到了离京城30里的地方,田横便拔剑自刎,并遗嘱同行的两个部下拿他的头去见汉高祖刘邦。
The warrior is gone forever - Xu Beihong’s “Tian Heng Wu Shi Shi” once mentioned Xu Beihong. Many of his works will surely appear in your mind. Like the lively “Eight Horses” map, the colorful “Foolish Mountain”, the shocking “After Me”, and the free-spirited “Wind and Raining Chicken”... These works all send the painter’s wish for prosperity and national rejuvenation. The “Tian Heng Wu Ba Shi” which purely expresses the subject of Chinese history purely in Western painting is even more impressive. “Tian Heng five hundred soldiers” based on Sima Qian’s “Historical Records. Tian Dan Biography.” In the Warring States period, Tian Wang Heng, an old royal family of Qi State, took up 500 people in the peasant uprising. After the reunification of the Western Han Dynasty, Liu Bang sent people to recruit and descend, but when they arrived 30 miles away from the capital, Tian Heng took the sword to his knees, and the two men of his wills took his head to see Han Gaozu Liu Bang.