笔者以为,在东方传统音乐文化的语境下,“曲高和寡”应结合传统语境和当代社会音乐文化的新语境进行分解和发散,只有这样才有助于我们更加清楚地认识和了解音乐体验和接受活动的某种社会现实状况,在一定的角度和层次指导当代社会中的专业音乐工作者进行音乐的创作与生产。 I believe that in the context of the traditional music culture in the East, “highbrow ” should be combined with the traditional context and the contemporary context of social music culture decomposition and divergence, the only way to help us more clearly understand and understand Music experience and acceptance of certain social reality of the situation, at a certain point of view and level of guidance in the contemporary society of professional musicians to music creation and production.