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海德格尔认为技术与艺术的关系非同一般,在古希腊意义上它们是同一的。海氏对现代艺术的批判乃是其艺术沉思的落脚点和归宿。现代技术与现代艺术都是异化了的怪物,拯救技术和复兴艺术是一枚硬币的正反面,彼此互相依存。海氏现代艺术论的最大问题不是审美乌托邦性,而是对现代艺术的误读。这种误读起源于他的哲学根基即基本本体论。
Heidegger thinks that the relationship between technology and art is extraordinary, and they are the same in the ancient Greek sense. Hai’s criticism of modern art is the end result of his artistic contemplation. Both modern technology and modern art are alienated monsters. The art of salvation and revival is the front and back of a coin, interdependent on one another. His biggest problem in modern art theory is not aesthetic utopia but the misreading of modern art. This misreading has its origins in his philosophical foundations, basic ontology.