法国布丰曾有“风格即人”的立论,中国苏轼亦有“文如其人”的观点,尽管两者皆因后人无数次的引用与演绎而早已无理论的艰辛之感,尽管人与艺的合一和悖离都因可以找到无数的正反例证而难以成为可严肃讨论的命题,但仅就张国平的油画创作这一个案而言,其个人 The French Buffon once made the argument that the style is the man, and the Chinese Su Shi also has the idea of ​​“writing as one”, though both of them have long been without the hardships of theory due to numerous references and deductions from later generations Although the combination and deviation of man and art are difficult to be discussed propositionily due to the innumerable positive and negative examples he can find, only in the case of Zhang Guoping’s painting creation, his individual