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蔡仪美学是我国当代美学史上的一座马克思主义丰碑。2006年,马驰在《马克思主义美学在中国》一书第七章“抵制旧美学,提倡新美学”中认为,20世纪40年代蔡仪《新美学》是“运用马克思主义的基本方法系统地讨论美学的第一本学术专著,比起30年代周扬发表的《我们需要新的美学》来,无论是体系的创建,还是具体的问题的阐释上都大大向前迈进了一步”。12013年,胡俊的专著《蔡仪马克思主义美学思想新论》认为:“蔡仪是中国马克思
Cai Yi’s Aesthetics is a Monument to Marxism in the History of Contemporary Aesthetics in China. In 2006, in his book ”The Aesthetics of Marxist Aesthetics in China,“ Chapter 7 ”Boycott Old Aesthetics and Promote New Aesthetics,“ in his opinion, the ”new aesthetics“ of Cai Yi in the 1940s was ”the basic principle of using Marxism Method systematically discusses the first aesthetics of academic monographs. Compared with “we need new aesthetics” published by Zhou Yang in the 1930s, both the establishment of the system and the interpretation of specific issues have taken a big step forward. . In 12013, Hu Jun’s monograph “Cai Yi Marxist Aesthetics Thoughts” that: "Cai Yi is the Chinese Marx