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收藏与投资:中国版画从版画本体由传统的复制木刻到现代的创作版画的转换,再到当代版画风格创新,曾经有过极其辉煌的过去,也曾发挥过一个画种所无法承受之重的特殊作用。而今相形于日益火爆的油画和极为普及而热闹的中国画,当年“国、油、版”三大画种并举的版画显得格外冷清。您觉得出现这种状况的最主要的原因是什么?周一清:中国版画还是在发展,无论图式感还是绘画观念包括技法、材料,
Collection and Investment: From the transformation of the traditional woodblock printmaking to the modern woodblock printmaking, to the innovation of the contemporary printmaking style, the Chinese printmaking has had an extremely brilliant past and has also exerted a heavy weight that a painting can not bear Special effect Nowadays, it is very similar to the increasingly popular oil paintings and extremely popular and lively Chinese paintings. In the same year, the prints of the “Three Kingdoms of China, Oil, and Oil Painting” became exceptionally deserted. What do you think the most important reason for this situation? Zhou Qing: Chinese print is still developing, whether graphic or painting concepts including techniques, materials,