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阐释学大师伽达默尔说,理论是对实践的反驳。我想模仿这句话且稍做修正,并尝试将其引入书法领域中来:“书法理论是对书法实践的系统反思。”这个理论系统大体包括书法史学、书法美学和书法鉴定。书法实践当然包括书法创作和临帖两个方面,我们暂且搁置创作不谈,仅就临帖实践与书法理论的互动,进行初步梳理,以期建立一个新的学书模式。一、书法史学观照下的临帖——求贯通书法史学是对书法数千年的发展历程进行的描述。这个历程
Gadamer, the hermeneutics, said theory is a refutation of practice. I would like to imitate this sentence and make some minor corrections and try to introduce it into the field of calligraphy: “The theory of calligraphy is a systematic reflection of the practice of calligraphy.” This theoretical system generally includes the history of calligraphy, the aesthetics of calligraphy and the identification of calligraphies. Of course, the practice of calligraphy includes two aspects: calligraphy and calligraphy. For the time being, we will put aside the idea of writing and discuss the interaction between the practice of calligraphy and the theory of calligraphy for the purpose of establishing a new mode of study. First, the calligraphy under the historical view of Calligraphy - Seeking through calligraphy history is a calligraphy for thousands of years of development history description. This process