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在当代社会高度重视非物质遗产的思潮中,是满足于赓续传统还是寻求创新,较之其他剧种的导演,昆曲导演面临更大的挑战。近年来,江苏省昆剧院副院长王斌的昆曲导演做出了大胆的尝试。大型昆曲的受众是广大的普通观众,让受众从开始接触昆曲到喜爱昆曲,就不得不先在昆曲演出中使用现代艺术的种种手段。2009年,王斌为南京城建集团廿一会所古戏台因地制宜制作的
In the contemporary society, which attaches great importance to the intangible heritage, it is more contentment to continue the tradition or to seek innovation. Compared with other operas, directors and Kunqu opera directors face more challenges. In recent years, Wang Kun, vice director of the Kunqu Opera Theater in Jiangsu Province, has made a bold attempt. The audience of large-scale Kunqu opera is a general audience, so that audiences have to use the means of modern art first in the performance of Kunqu opera from the beginning to the reception of Kunqu opera. In 2009, Wang Bin for the Nanjing Urban Construction Group twenty-one club ancient stage made according to local conditions