【摘 要】
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当代澳大利亚作家女作家凯特·格伦维尔在她的作品《梦幻屋》中,充分利用自己作为文学创作专业“科班”出身所掌握的现代文学理论与创作实践,不动声色地对传统的人文主义、主
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当代澳大利亚作家女作家凯特·格伦维尔在她的作品《梦幻屋》中,充分利用自己作为文学创作专业“科班”出身所掌握的现代文学理论与创作实践,不动声色地对传统的人文主义、主流文化、秩序、理性以及男性价值中心进行了全面的质疑、反拨与颠覆。小说选择了一个文学作品几乎永恒的话题――男女爱情与婚姻家庭――为框架展开故事,但却与传统的阅读期待背道而驰,整个目的在于戏仿、消解,对现有的价值观念与知识体系进行修正,彰显了后现代女性主义表征。
Contemporary Australian writer writer Kate Grenville in her work “Dream House”, take full advantage of their own literary creation as a “professional” master of modern literary theory and creative practice, quietly on the traditional Humanism, mainstream culture, order, rationality and male value center conducted a comprehensive challenge, call back and subversion. The novel chooses an almost eternal topic of literary works - love of men and women and marriage and family - to the story of the framework, but contrary to the traditional reading expectations, the whole purpose is to parody, digestion, the existing values and knowledge system Revised, highlighting the postmodern feminist representation.
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