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在查阅大量学术资料的过程中笔者发现,对于音乐作品的分析停留在背景及分析音乐两个部分上。在这样的理论架构基础上,笔者提出了自己对于理论研究的自己的思考。提出了对于作曲家作品人文情怀的研究价值的思考及具体作品的拟学术研究思路。
In the process of access to a large number of academic information, I found that the analysis of musical works stays in the background and analyzes the two parts of music. Based on this theoretical framework, I put forward my own thinking on theoretical research. Put forward the thinking of the research value of the composer’s work on the human feelings and the proposed academic research ideas of the specific works.