生活与创作的关系、美术创作中的客观对象与艺术表现,个性确立以及主观能动性的发挥,对创作的重要意义等问题,通过绘画实践、理论探讨来认识的。一儿时曾听过这样一个故事:古代有个独眼国王,并且一条腿残疾。国王将一名画匠招进宫里为自己画像,画匠如实描绘了独眼和瘸腿,国王大怒,画匠被斩首;国王又招另一名画匠,这名画匠没有如实描绘,而是将国王描绘成完美的健全人,这名画匠也遭到同样的下场;第三名被招进宫的画匠,作品完工后,国王很满意,并且得到了很多赏赐——原来画匠设计了一个正在狩措的画面:国王一条腿蹬在山岩上,正一只眼眯着弯弓射箭。从这一简单的故事我们可以总结出:第一位画匠只是重复描摹了现实生活。第二位画匠对客观现实进行了生硬扭曲。第三位画匠画画时让一条腿蹬在山岩上,掩饰了腿的疾病,让一只眼眯着射箭,掩饰了眼疾。他采用了忠于现实又高于现实的表现手法。 The relationship between life and creation, the objective object and artistic expression in art creation, the establishment of individuality and the demonstration of subjective initiative, the significance of creation, and so on through painting practice and theoretical exploration. I had heard such a story as a child: there was a one-eyed king in ancient times, and one leg was disabled. The king brought a painter into the palace for his own portrayal of the one-eyed and lame legs, the furious king, the beheading of the painter, and the king’s move of another painter, who did not actually portray the king, Into the perfect perfect person, the artist also suffered the same end; the third was recruited into the palace painter, the work is completed, the king is very satisfied and has been a lot of reward - the original painter designed a hunting Picture: King kicking a leg on a rock, squinting an arrow with one eye. From this simple story, we can conclude that the first painter only duplicates the real life. The second painter made a blundering of the objective reality. The third painter to paint a leg in the rock when painting, covering the legs of the disease, so that one eye squinting archery, cover up the eye disease. He adopted a performance-minded and above-reality expression.