中国传统画论非常重视虚实,“虚实相生”、“知白守黑”、“实处易,虚处难”成为中国绘画经营空间的总则。在设计素描教学中应该从实到虚,首先从实处入,研究空间中的实体,然后进入空间,研究实体与空间的构成,逐渐达到实体与空间的和谐。从实体与空间的关系出发,还原不同的形态,分析不同的空间,提升学生对形态空间的组合能力。 Chinese traditional painting attaches great importance to the actual situation, “real and imaginative ”, “knowing and defending the black ”, “reality is easy, the imaginary is difficult ” has become the general rule of Chinese painting business space. In designing sketching teaching, we should proceed from reality to emptiness. First, we should research into the entities in space and then enter the space to study the composition of entity and space, and gradually achieve the harmony between entity and space. Starting from the relationship between entity and space, restoring different forms, analyzing different spaces and enhancing students’ ability to combine morphological spaces.