2013年深秋初冬之际,在苏州的剧场里看苏剧《柳如是》,大幕拉开,一叶小舟驶入绿色的江南水乡,一片芦苇荡营造出凄清苍凉的诗情与画意。郑怀兴的这出戏,初名《红豆祭》,写于1992年。几乎在20年后,它才搬上了舞台。之前它一直冷清着。20年前,郑怀兴在福建仙游的家中寂寞着,《红豆祭》是他在寂寞读书中有感而发的作品。在读书和写作中,他开始了与这两位古人,尤其是奇女 In the autumn of early autumn in 2013, the Soviet drama “Liu Rushi” was seen in the theater of Suzhou. The curtain opened and a leaf boat drove into the green, southern Yangtze River. A reed made a desolate desolation of poetic and artistic expression. Zheng Huai Xing’s play, first name “red bean festival”, written in 1992. Almost 20 years later it was on stage. It has been deserted before. Twenty years ago, Zheng Huai-xing was lonely at his home in Xianyou, Fujian Province. The “Red Bean Festival” was a work he had in his lonely reading. In reading and writing, he started with these two ancients, especially the wonderful woman