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唐人司空图的《二十四诗品》,是中国古代文论史上的经典之作,为意境理论成熟的代表作之一,后世屡有续作者,并广及于词品、曲品、文品甚至画品,可见其影响之大;其最后的续作乃是清人袁枚的《续诗品》,今人尚未有续作者。这些包括原作的“诗品”系列,在审美理想上基本没有脱离“温柔敦厚”的,以平和、冲淡、柔弱为主要特征的优美范围,而对壮美的探索却有所阙。有鉴于此,乃作此著,以补今人之未足。
The “twenty-four poems” of the Tang Sikongtu is one of the classic works in the history of ancient Chinese literary theory. It is one of the masterpieces of the theory of artistic conception and has been published by many scholars for many years. Even the picture, we can see the impact of its great; the final sequel is Yuan Mei’s “Poems of the sequel,” the present person has not continued the author. These series of “poems and poems”, including the original works, have basically not departed from the aesthetic range of “gentleness and gracefulness” and the beautiful range characterized by calmness, dilution and weakness, while the exploration of the magnificentness is somewhat absent. In view of this, this is done to make up for today’s lack of people.