八大山人绘画中所塑造的禽鸟形象怪诞、花叶残败、树石夸张奇特而又萧瑟疏落,可谓是一种“丑”的形象,这种形象之外的“丑”却由于其对旧山河的情感与对现实的愤懑而升华为一种内在的德与美,是庄子的“以丑为美”、“由丑化美”的重要思想的体现。八大山人画中的艺术形象的丑怪的表现性实则是内在真实性的反映。 The image of the birds shaped by Badashanren is grotesque, the mosaic is faded, the trees and stones are exaggerated and bleak, which is an image of “ugliness” Sublimation into an intrinsic virtue and beauty due to his emotion and obscenity to the old mountains and rivers is an embodiment of Zhuangzi’s important idea of ​​“using ugliness as beauty” and “deluding beauty as beauty”. The ugly performance of the art image in Badashanren’s painting is actually a reflection of the inherent authenticity.