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布莱希特的“陌生化”理论与其所创立的叙事剧密不可分,没有叙事剧,也就没有“陌生化”。在布莱希特看来,“陌生化”是对传统的“亚里士多德式戏剧”的一种突破与反叛,是一种“非亚里士多德式戏剧”理论的创新表征。
Brecht’s theory of “defamiliarization” is inseparable from the narrative drama he created, and there is no “defamiliarization” without narrative drama. In Brecht’s view, “defamiliarization” is a breakthrough and rebellion against the traditional “Aristotelian drama” and is a “non-Aristotelian drama ”Theoretical innovation and characterization.