在人们的心目中,陈大羽是一位大写意花鸟画家,因此,研究者很少关注他的山水画。在陈大羽百年诞辰之际,其家属整理出一批他五六十年代的山水画,其中有不少居然是1956年与李可染同下江南写生的作品。随着对这批首次公之于众的山水画作品的研究,一段被人遗忘的画坛往事渐渐浮出水面。众所周知,为了改革中国画,李可染在20世纪50年代有四次集中的外出写生,不仅确立了其个人风格,也奠定了他在中国画坛的地 In the eyes of people, Chen Danyu is a freehand bird and flower painter, therefore, the researcher paid little attention to his landscape paintings. In the centenary of Chen Danyu’s birthday, his family sorted out a number of his landscape paintings in the 1950s and 1960s, many of which were actually works written in the style of Jiangnan with Li Keran in 1956. With the first batch of these landscape works of public works, a forgotten painting scene gradually surfaced. As we all know, in order to reform the Chinese painting, Li Ke-dye in the 20th century, there are four concentrated out of sketches, not only established its own style, but also laid his ground in the Chinese painting