作为一位具有鲜明作者电影特质的导演,索科洛夫的诸多影片都弥散着一种挥之不去的孤独情绪。这些情绪作为艺术家心理的外化至少包含如下两个层面:内在心理的孤独和外在的物理表现。孤独意识成就了索科洛夫沉郁隐忍的诗性电影风格,其背后隐含的则是他与当下俄罗斯主流价值的隔膜疏离以及对当下俄罗斯精神的深切忧虑。 As a director with a distinctive author’s film features, Sokolov’s many films are lingering lingering loneliness. These emotions as the artist’s externalization of psychology contains at least the following two levels: inner psychological loneliness and external physical expression. Soulfulness and poignant soliloquy have made Sokolov’s poetic film style implicit in his alienation from the diaphragm of the current mainstream Russian values ​​and his deep concern over the current Russian spirit.